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You've selected:
Traditional Folk Hymns
Sheetmusic to print
299 sheet music found
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276
Thou Art the Way
Thou Art the Way
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Organ
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Sacred music
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Grimoaldo Macchia
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Thou Art the Way
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Sacred Music Press
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SheetMusicPlus
Organ: 3-staff - Moderately Advanced SKU: LO.70-2212S Composed by Grimoaldo Macchia. Sacred. Sacred Music Press #70/2212S. Published by Sacred Music Pres...
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Organ: 3-staff - Moderately Advanced SKU: LO.70-2212S Composed by Grimoaldo Macchia. Sacred. Sacred Music Press #70/2212S. Published by Sacred Music Press (LO.70-2212S). ISBN 9780787768010.Grimoaldo Macchia is one of Europe's most popular composers and arrangers of sacred organ music. In this volume, he applies his vibrant style to thirteen hymns that originate from the USA. Included are traditional folk hymns (such as “What Wondrous Love Is This” and “Amazing Grace”) as well as later-composed tunes of American origin (such as “To God Be the Glory!” and “Shall We Gather at the River”). Crafted with a fresh perspective on these hymns, Macchia’s brief pieces will make for delightful preludes, offertories, and postludes throughout the church year.
$33.00 ≈
30.80€
An American Folk Hymn Medley ? brass quintet
An American Folk Hymn Medley ? brass quintet
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Brass Quintet: 2 trumpets, horn, trombone, tuba
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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American folk hymns
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Todd Marchand
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An American Folk Hymn Medley ?
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Con Spirito Music
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SheetMusicPlus
Composed by American folk hymns. Arranged by Todd Marchand. Christian, Gospel, Sacred, Folk, Americana. Score, Set of Parts. 16 pages. Published by Con Spirito ...
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Composed by American folk hymns. Arranged by Todd Marchand. Christian, Gospel, Sacred, Folk, Americana. Score, Set of Parts. 16 pages. Published by Con Spirito Music (S0.180677). - Score,Set of Parts - Christian,Gospel,Sacred,Folk,Americana - Con Spirito Music
?An American Folk Hymn Medley? brings together three 19th-century shape-note tunes in a contemporary setting for brass quintet. HOLY MANNA is popularly known as ?Brethren We Have Met to Worship? from its association with a text by Methodist clergyman George Atkins (1793-1827). It was first published in Columbian Harmony, a shape-note tune book, in 1829, and is attributed to William Moore, the publisher. RESTORATION, first published in William Walker?s 1835 shape-note hymnal, Southern Harmony, was later renamed ARISE from its association with a text by Joseph Hart (1712-1768) in which the chorus begins ?I will arise and go to Jesus?.? PLEADING SAVIOR, published in Joshua Leavitt?s 1830 compilation The Christian Lyre, is today best-known in many churches as the accompaniment to the text ?Sing of Mary, Pure and Lowly.? In this arrangement, the similar tunes HOLY MANNA and PLEADING SAVIOR, both in major tonality and 8.7.8.7 poetic meter, frame the contrasting minor tonality tune, RESTORATION. Contrasting instrument textures, keys, and tempi, and a mix of both traditional and contemporary harmonies breathe a fresh spirit into these venerable tunes.
$15.00 ≈
14.00€
Gather by the River to Pray
Gather by the River to Pray
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Sacred music
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Pepper Choplin
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Gather by the River to Pray
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Lorenz Publishing - Digital Sheet Music
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SheetMusicPlus
2-part choir Mixed and Piano - SKU: LX.10-4680L Down to the River to Pray/Shall We Gather at the River. Arranged by Pepper Choplin. Ready to Wors...
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2-part choir Mixed and Piano - SKU: LX.10-4680L Down to the River to Pray/Shall We Gather at the River. Arranged by Pepper Choplin. Ready to Worship. Sacred Anthem, All Saints' Day, Baptism, General, Lent. Octavo. 12 pages. Lorenz Publishing - Digital Sheet Music #e10/4680L. Published by Lorenz Publishing - Digital Sheet Music (LX.10-4680L). ISBN 9780787715120.Pepper Choplin’s unique style is on perfect display with this arrangement of two traditional folk hymns. Accessible choral writing delivers warm texture throughout as each song is presented separately and then in tandem. Just as a river, the text flows gently above a simple, yet supportive keyboard accompaniment.
$2.50 ≈
2.33€
Sabbath Celebration (a collection of 20 hymns and choruses)
Sabbath Celebration (a collection of 20 hymns and choruses)
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Choral
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INTERMEDIATE
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Sabbath Celebration
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Sharon Wilson
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SheetMusicPlus
By Sharon Wilson. By Various. Arranged by Sharon Wilson. Folk, Praise & Worship, Romantic Period, Sacred, Traditional. Score. 87 pages. Sharon Wil...
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By Sharon Wilson. By Various. Arranged by Sharon Wilson. Folk, Praise & Worship, Romantic Period, Sacred, Traditional. Score. 87 pages. Sharon Wilson #1987619. Published by Sharon Wilson
This collection of 20 hymns and choruses is arranged for any size group from a small gathering of family and friends to an entire congregation. The theme of each song centers on the celebration of God's Sabbath Day.
Each song is presented in two formats:
1) a reproducible SATB score in the usual 2-staff hymn format
2) a piano accompaniment score with melody line and lyrics which includes an introduction, repeat (short interlude between verses), and an ending
The piano accompaniment is not overly difficult and follows the melody while adding variation in the bass clef and filling out chords that compliment the 4-part harmony of the vocal score. This collection contains an eclectic set of hymns and choruses, many from long ago, and provides an excellent means for inspiring revival and affirmation of the blessings experienced through Sabbath rest and worship.
Each song is also available separately with accompanying preview pages and audio samples.
Titles include:
Blessed Sabbath Day
Come and Rest
The Dawn of God's Dear Sabbath
Don't Forget the Sabbath
Happy Sabbath Day
Holy Sabbath Day of Rest
Jehovah's Rest
Lord of the Sabbath
Lord's Day Hymn
My Sabbath Song
O Day of Rest and Gladness
Remember the Sabbath Day
The Sabbath Day
Sabbath Rest
Safely Through Another Week
A Song for the Sabbath
Sweet Is the Light of Sabbath Eve
This Is the Day
We Thank Thee for a Sabbath of Rest
Welcome Sabbath Day of Rest
$19.99 ≈
18.66€
Easy String Trios: Easter Hymns (A Collection of 10 Easy Trios for Violin, Viola, and Cello)
Easy String Trios: Easter Hymns (A Collection of 10 Easy Trios for Violin, Viola, and Cello)
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String Trio: violin, viola, cello
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EASY
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Easy String Trios: Easter Hymn
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Sharon Wilson
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SheetMusicPlus
By Sharon Wilson. By Various. Arranged by Sharon Wilson. Easter, Folk, Praise and Worship, Sacred, Traditional. Score and parts. 75 pages. Sharon Wilson #5...
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By Sharon Wilson. By Various. Arranged by Sharon Wilson. Easter, Folk, Praise and Worship, Sacred, Traditional. Score and parts. 75 pages. Sharon Wilson #5044607. Published by Sharon Wilson
This collection of "Easy String Trios" contains 10 hymns arranged for VIOLIN, VIOLA, and CELLO. These fun-to-learn arrangements are a welcome addition to the repertoire for beginning string students and suitable for recitals and worship services. The theme of each hymn centers around Jesus? love for us as witnessed in his coming to earth to die on the cross. These hymn arrangements are equally suited for the Easter and Lent season as well as other times of year to celebrate our resurrected Savior and King.
All notes for each instrument are playable in the first position making these arrangements an excellent choice for early-intermediate string players. For each song, there is a combined score (grand staff) with all three parts on each page plus separate 1-staff scores for the VIOLIN, VIOLA, and CELLO.
Each song is also available separately with accompanying preview pages and audio samples.
Song titles included in this collection:
Christ the Lord Is Risen Today
Crown Him with Many Crowns
He Is Risen
Into the Woods My Master Went
Jesus Christ Is Risen Today
Jesus Paid It All
O Sacred Head, Now Wounded
Thine Is the Glory
What Wondrous Love Is This
When I Survey the Wondrous Cross
$20.00 ≈
18.67€
Hymns and Choruses (A Collection of 10 Easy Flute Solos with Piano Accompaniment)
Hymns and Choruses (A Collection of 10 Easy Flute Solos with Piano Accompaniment)
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Flute and Piano
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EASY
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Hymns and Choruses
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Sharon Wilson
#
SheetMusicPlus
By Sharon Wilson. By Various. Arranged by Sharon Wilson. Children, Contemporary, Folk, Sacred, Traditional. Score and part. 49 pages. Sharon Wilson #6...
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By Sharon Wilson. By Various. Arranged by Sharon Wilson. Children, Contemporary, Folk, Sacred, Traditional. Score and part. 49 pages. Sharon Wilson #6269277. Published by Sharon Wilson
This collection contains 10 familiar hymns and praise choruses arranged as easy instrumental duets (for FLUTE solo with PIANO accompaniment). From flowing and peaceful to bright and uplifting, these arrangements are a welcome addition to the repertoire for beginning woodwind students. These familiar hymn arrangements are equally enjoyed whether used for recitals, worship services, or to make practicing more interesting.
For each song, there is a combined score (grand staff) with both parts on each page (FLUTE and PIANO) plus a separate 1-staff score for the FLUTE. Each song is also available separately with accompanying preview pages and audio samples.
Song titles included in this collection:
Be Still and Know
Close to Thee
Faith of Our Fathers
God Is So Good
I Have Decided to Follow Jesus
I?ve Found a Friend
Kum Ba Yah
Shall We Gather at the River
Shalom
Sweet By and By
$15.00 ≈
14.00€
AMAZING GRACE Hymn Sonata (for Flute and Piano with Score/Part)
AMAZING GRACE Hymn Sonata (for Flute and Piano with Score/Part)
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Flute and Piano
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Sacred music
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Traditional Folk Melody, GAR
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AMAZING GRACE Hymn Sonata
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The Lanier Company
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SheetMusicPlus
Composed by Traditional Folk Melody, GARY LANIER. Christian, Sacred. Score and part. 15 pages. The Lanier Company #6015409. Published by The Lanier Co...
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Composed by Traditional Folk Melody, GARY LANIER. Christian, Sacred. Score and part. 15 pages. The Lanier Company #6015409. Published by The Lanier Company
AMAZING GRACE Hymn Sonata (one movement) is a musical work by Gary Lanier for Flute and Piano of one of our most cherished Hymns. The theme is one of God's grace in all aspects of life. Gary uses the term "hymn sonata," because of the many uses of the hymn tune, such as: motifs, secondary themes, variations, recapitulation and other compositional devices. AMAZING GRACE Hymn Sonata is perfect for Church services, recitals or any gathering where hymns of the grace and love of God is desired. The score, including instrumental part and cover is 15 pages long.
A mp3 Piano Accompaniment is also available. Just cut and paste the following listing into the Sheet Music Plus browser:
AMAZING GRACE Hymn Sonata (Piano Accompaniment for Flute)
$8.99 ≈
8.39€
Welsh Folksongs for String Orchestra
Welsh Folksongs for String Orchestra
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String Orchestra
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INTERMEDIATE
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Traditional
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Yoel Epstein
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Welsh Folksongs for String Orc
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Yoel Epstein
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages....
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String Orchestra - Level 3 - SKU: A0.773302 Composed by Traditional. Arranged by Yoel Epstein. Celtic,Christian,Folk,Holiday. Score and parts. 41 pages. Yoel Epstein #3236529. Published by Yoel Epstein (A0.773302). If ever there was a nation with song in its heart, it is the Welsh. These five traditional Celtic folksongs are among the best known and best loved of all folk music. Ar Hyd Y Nos (All Through The Night), first published in 1784 in Edward Jones's anthology of folk songs, Musical and Poetical Relics of the Welsh Bards, became one of the most popular hymns in the English-speaking world. A popular Christmas song, All Through the Night also appears in numerous films and stage productions, beginning with John Gay's opera of 1728 and up to the present day. Calon Lân (a pure heart), a traditional Celtic tune with lyrics later written by Daniel James (Gwyrosydd) in the 1890s, has become the anthem of the Welsh Rugby league. Llwyn Onn (The Ash Grove) was first published in 1892 in The Bardic Museum by harpist Edward Jones. In its English version, with words written by poet Thomas Oliphant, it is traditionally sung in America on Thanksgiving and Christmas. Dafydd y Gareg Wen (David of the White Rock). This song was written by David Owen, a harpist who died about 1720 at the tender age of 29. Tradition says that Owen was lying on his deathbed, and called for his harp. Too weak to hold the harp, he was helped by his wife, who held the harp upright while he played this haunting tune. Rhyfelgyrch Gwyr Harlech (Men of Harlech) describes the seven-year siege of Harlech Castle between 1461 and 1468. Commanded by Constable Dafydd ap Ieuan, the Welsh garrison withstood the longest known siege in the history of the British Isles I hope you enjoy playing this as much as I enjoyed writing it. If you enjoy this, you are welcome to try some of my other arrangements. You can see them at http://www.sheetmusicplus.com/publishers/yoel-epstein-sheet-music/3001988?ac=1. I have also arranged three songs from the Holocaust, which I arranged and distribute for free on IMSLP. You can find them at http://imslp.org/wiki/Category:Ravpapa. If you need arrangements of any of these songs for special combinations of instruments, feel free to contact me at yoelepst@gmail.com, and I will try to accommodate.
$34.99 ≈
32.66€
Tre folkliga Mariavisor
Tre folkliga Mariavisor
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Choral SSAA
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Traditional
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Johanna Thür
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Tre folkliga Mariavisor
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SSAA chorus - SKU: BJ.1125 Composed by Traditional. Arranged by Johanna Thür. Christian, Christmas. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1125. P...
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SSAA chorus - SKU: BJ.1125 Composed by Traditional. Arranged by Johanna Thür. Christian, Christmas. Octavo. 8 pages. Bo Ejeby Forlag - Digital #1125. Published by Bo Ejeby Forlag - Digital (BJ.1125). 8.27 x 11.7 inches.Three folk songs for Mary. The three arrangements are based on very old traditional hymns to Virgin Mary. Contents:Adventssang Det lyser en stjarna Limu limu lima.
$3.60 ≈
3.36€
Kör ad lib. Blå
Kör ad lib. Blå
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Various
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Gunnar Eriksson
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Kör ad lib. Blå
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
Various - SKU: BJ.1005 Composed by Various. Arranged by Gunnar Eriksson. Octavo. 49 pages. Bo Ejeby Forlag - Digital #1005. Published by Bo Ejeby Forlag...
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Various - SKU: BJ.1005 Composed by Various. Arranged by Gunnar Eriksson. Octavo. 49 pages. Bo Ejeby Forlag - Digital #1005. Published by Bo Ejeby Forlag - Digital (BJ.1005). 8.27 x 11.7 inches.33 songs - from medieval hymns and traditional folk songs to minimalistic compositions - in arrangements or with ideas and improvisation models based on old and new tricks such as quodlibet, canon, polytonality and polyrhythms. This book has long been a successful and inspiring toolbox for choral conductors and singers all over the world. Notes in English and German are available from the publisher. Contents:O Kriste, du som ljuset ar Varldens fralsare, kom har Kristallen den fina Hymn till Magnus den helige Alle, psallite - Alleluya Amen Agnus Dei Ur Deploration sur la mort d'Ockeghem Canon angelicus Sanctus Tempus adest floridum In vernali tempore Pass et medio O bone Jesu Ein feste Burg Tysk julgrot Drei Engel De komma fran ost och vast Taga del i ost och vast Till Osterland vill jag fara Ah ya Zein Lele Jano Janko Guantanamera Danse, icke grate na Folkharpa Olson III Ligeti-improvisation I-A-O Isaac og Ivan og Innsbruck Omnia mutantur, nihil interit.
$17.00 ≈
15.87€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
82.13€
Hymns of Heaven (A Collection of LARGE PRINT Two-page Hymns for Solo Piano)
Hymns of Heaven (A Collection of LARGE PRINT Two-page Hymns for Solo Piano)
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Piano solo
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INTERMEDIATE
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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Hymns of Heaven
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Sharon Wilson
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.565413 By Sharon Wilson. By African-American Spiritual, Grant Colfax Tullar, John R. Sweney, Joseph Philbrick Webster, Lo...
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Piano Solo - Level 3 - SKU: A0.565413 By Sharon Wilson. By African-American Spiritual, Grant Colfax Tullar, John R. Sweney, Joseph Philbrick Webster, Lowell Mason, and Robert Lowry. Arranged by Sharon Wilson. Christian,Folk,Praise & Worship,Sacred,Traditional. Score. 20 pages. Sharon Wilson #4320349. Published by Sharon Wilson (A0.565413). If you sometimes find it a strain on the eyes to read standard sheet music, then you'll love this LARGE PRINT version of Hymns of Heaven. This collection is identical to the Hymns of Heaven--A Collection of ONE-Page Hymns for Solo Piano except each of these songs is spread over TWO pages using a larger font size. Designed for those times when a short, musical interlude is needed, this collection consists of seven, two-page hymn arrangements, each taking about 1 minute to perform. In addition, all seven of these hymns are arranged in the key of G major making it easy to flow from one to the next for more flexibility. Mix and match the 7 arrangements to create 2-3 song medleys. Each song is also easy to repeat if a longer instrumental interlude is needed. Each song in this collection was chosen because the lyrics talk about the joys of heaven. These inspiring and uplifting arrangements will bring hope and encouragement to the listeners and are ideal for preludes and offertories as well as memorial services or funerals. This collection will be a valuable addition to any church pianists worship repertoire.These hymn arrangements are also available separately with accompanying preview pages and audio samples. Titles included in this collection:Face to FaceHeaven Is My Home (I'm But a Stranger Here)How Beautiful Heaven Must BeI Shall Know Him (My Savior First of All)In the Sweet By and ByMarching to ZionOn Jordan's Stormy Banks Visit Sharon Wilson's website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$8.99 ≈
8.39€
Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
Favorite American Folk Songs, Hymns, and Spirituals of the 1880's Vol. II
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Piano solo
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INTERMEDIATE
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Clay Boland, Jr
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Favorite American Folk Songs,
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BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623
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SheetMusicPlus
Small Ensemble Harpsichord,Organ,Piano - Level 3 - SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC...
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Small Ensemble Harpsichord,Organ,Piano - Level 3 - SKU: A0.913678 Arranged by Clay Boland, Jr. Folk,Traditional. Score and parts. 56 pages. BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 #6880017. Published by BOLAND MUSIC LLC, P.O. BOX 493, CARBONDALE, CO 81623 (A0.913678). The piano scores used for the original sheet music of these folk songs, hymns, and spirituals of the 1800’s were purposely made simple in order to sell as many copies as possible. The idea being that if someone in every family could read the most basic piano score, then the rest of the family could gather around the piano (usually an inexpensive upright) and sing along in the days before records, cassette tapes, CD’s, Radio, Television, iPods, YouTube etc. Nowadays, the few people who can sight-read at the piano are more musically literate, often being able to read and play classical compositions by Bach, Handel, Scarlatti, Mozart, Haydn, and Beethoven. They, therefore, deserve more interesting and rewarding arrangements of these wonderful musical treasures of the 1800’s. Furthermore, since these arrangements for piano and voice can also be played as piano solos, the piano scores are designed to be of enjoyable musical interest on their own; that is, orchestrated for the piano as if they were sketches for an ensemble of instruments. These arrangements can also be considered theatrical improvisations on the original sheet music. Following the best improvisational guidelines, they are based on 1) the implications of the title; 2) the meaning and words of the lyrics; 3) the melody; & 4) the harmonic pattern. For example: Oh, Susanna! is obviously a humorous nonsense song and is therefore arranged to sound carefree, jaunty, and joyful. Also, since the singer refers to my banjo on my knee, the piano arrangement imitates the sound of a banjo as it is played for singing and dancing, strumming its rhythmic way through the simple harmonic changes. You can see and hear the music for most of these contemporary arrangements on Sheet Music Plus and some also on YouTube. And if you wish to play and/or sing along alone or with your friends or family, please do so. Happy time travel!!!
$26.00 ≈
24.27€
Missa Solemnis, op. 27 (parts)
Missa Solemnis, op. 27 (parts)
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Orchestra
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #8...
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Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00 ≈
149.34€
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestra
#
ADVANCED
#
Adrian Gagiu
#
Missa Solemnis, op. 27 - Score
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Adrian Gagiu
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99 ≈
80.26€
20 Easy Hymns and Spirituals, BOOK 2 (Beginner Piano Solos)
20 Easy Hymns and Spirituals, BOOK 2 (Beginner Piano Solos)
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Easy Piano
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BEGINNER
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Gospel/Spiritual
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Sacred music
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Sharon Wilson
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Sharon Wilson
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20 Easy Hymns and Spirituals,
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Sharon Wilson
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1374779 By Sharon Wilson. By African-American Spiritual, Conrad Kocher, Edwin O. Excell, Fanny J. Crosby, Folk Song, Geor...
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Easy Piano - Level 1 - SKU: A0.1374779 By Sharon Wilson. By African-American Spiritual, Conrad Kocher, Edwin O. Excell, Fanny J. Crosby, Folk Song, George Job Elvey, Isaac Watts, John Bacchus Dykes, John Newton, Lelia Naylor Morris, Ludwig van Beethoven, and Robert Lowry. Arranged by Sharon Wilson. Christian,Easter,Folk,Holiday,Spiritual. Score. 41 pages. Sharon Wilson #959310. Published by Sharon Wilson (A0.1374779). Beginner Piano SolosMiddle C PositionFive-Finger formatThis is a collection of 20 hymns and spirituals arranged for beginning piano students. These arrangements are formatted in the traditional five-finger style with the melody split between the hands and without key signatures. All 20 songs are written in Middle C Position where all notes are played singly centered around Middle C (diagrams are provided showing notes and finger placement). No fingering is notated on the sheet music to encourage students to learn to read the notes instead of using the fingering numbers to play the song. Thus, this collection makes a great sight-reading book, especially if some of the songs are unfamiliar. Some songs require playing the B-flat note in the left hand or the F-sharp note in the right hand. For the few songs that use one of these two black notes, the flats or sharps are displayed beside the note on the staff, not in the key signature (special diagrams are provided showing finger placement for the sharps and flats used).These arrangements are perfect for introducing classic Christian songs to beginning pianists. They can be used as supplementary repertoire for first year piano students. Lyrics are included for sing-along enjoyment.Song titles included in this collection: Always CheerfulAmazing GraceCount Your BlessingsCrown Him with Many CrownsFootsteps of JesusFor the Beauty of the EarthHoly, Holy, HolyI Have Decided to Follow JesusI Shall Not Be MovedI'm So Glad Jesus Lifted MeJesus Shall ReignJoyful, Joyful, We Adore TheeNearer, Still NearerPeace Is Flowing Like a RiverStand Up! Stand Up for Jesus!Sweet By and ByThere Is Joy in That LandThis Little Light of MineWe Gather TogetherWhiter Than SnowVisit Sharon Wilson's website: https://www.SharonWilsonMusic.com/Subscribe to her YouTube Channel: https://youtube.com/@SharonWilsonMusic
$10.00 ≈
9.33€
Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment)
Hymns and Choruses (A Collection of 10 Easy Bowed Psaltery Solos with Piano Accompaniment)
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Piano Accompaniment
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EASY
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Sharon Wilson
#
Sharon Wilson
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Hymns and Choruses
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Sharon Wilson
#
SheetMusicPlus
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - SKU: A0.565807 By Sharon Wilson. By Various. Arranged by ...
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - SKU: A0.565807 By Sharon Wilson. By Various. Arranged by Sharon Wilson. Folk,Praise & Worship,Sacred,Spiritual,Traditional. Score and individual part. 55 pages. Sharon Wilson #6228865. Published by Sharon Wilson (A0.565807). This collection features ten easy hymns and choruses arranged for a soprano BOWED PSALTERY with PIANO accompaniment. The psaltery part was designed for a beginning psaltery player. The piano accompaniment is at the intermediate level. The psaltery plays the melody for the first verse of each song. On several of the songs, the piano plays the melody for the second verse while the psaltery plays harmony. Some songs also include an optional repeat. For each song in this book, piano accompaniment tracks (MP3 format) are available as a separate purchase.
$15.00 ≈
14.00€
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276
Traditional Folk Hymns
